Middle grade horror is difficult to pull off. Some authors go for camp, with lots of gore and over-the-top scenarios that are almost humorous, therefore defusing any terror the reader might experience. Governor-General award-winning author Arthur Slade is the other kind of author-genuine thrills created by uncanny situations, eerie coincidences, and a slow-burning sense of impending doom.
It’s been a few years since we’ve had a new Slade novel and Flickers is a return to the atmospheric and chilling storytelling in his GG winner, Dust. The Hunchback Assignments series was epic in scope, a swashbuckling grandiose adventure- Flickers is quiet. Even though the implications are huge- introducing other realms huge- this is Beatrice’s struggle. We are invested in her, not the fate of the world.
Slade plays with all sorts of tropes, including the psychic connection between twins and the sinister ability of cameras to steal souls of the people they capture on film. I just so happened to be hard-lining the You Must Remember This podcast, all about the hidden or forgotten stories of Hollywood, which added texture to Slade’s depiction of the tempting yet ultimately poisonous apple of Hollywood’s allure. Slade manages to balance the opulence of golden era Hollywood with a sense that something is truly, truly wrong. As a reader you don’t want Beatrice to look too closely at the world around her, convinced that it’s all a sham for something horrible. And how horrible it is, the stuff of steampunk nightmares.
Despite their differences, there isn’t much in the way of rivalry between “ugly” Beatrice and “beautiful” Isabelle. I appreciated their supportive relationship, which is not without its challenges, but never delves into nasty territory. Both Beatrice and Isabelle are complex and interesting heroines with varied interests and plenty of agency. In a world of increasingly cookie-cutter Strong Female Protagonists, Slade bucks the trend of ass-kicking assassins and presents a different kind of heroine, proving strength has many shades. Beatrice doesn’t let what others refer to as physical deformity stop her from seeking out friendship or the things she enjoys in life, despite remaining basically a captive on Mr. Cecil’s estate. She has a good friend in the form of Raul, the gardener’s son, her ‘friend bird’ (instead of ‘lovebird,’ as her sister insinuates.)
In addition to Slade’s own Dust, now a Canadian horror classic, I was reminded of The Nest (Kenneth Oppel) The Night Gardener (Jonathan Auxier), and Emily Carroll’s Through the Woods, all Canadian, all horror.Perhaps there is something about our landscape or literary culture that inspires eerie storytelling- in any case, Flickers is a welcome addition to the genre.
Flickers is available on April 26, 2016 from Harper Collins Canada.